JOHN'S I'S — An Alternative Rock Musical. One Man. Two Lifetimes. One Truth.
Born in Nashville · 15 Original Songs
As told, by the last one there…
The Story

Memory Becomes Gospel

John the Apostle began his life demanding fire from heaven. He ended it writing: "God is love." JOHN'S I'S is everything in between — and at its core, the story every person in the room has lived: the gap between who we think we should be and who His Love makes us.

Two actors play him at once, across seventy years. OLDER JOHN — ninety, exiled on Patmos, the last living eyewitness — speaks to the audience as if he has been waiting for them. YOUNG JOHN — in Galilee, inside the story — lives each moment for the first time, not yet knowing what it will cost. They finish each other's sentences, speaking the same lines from opposite ends of one life.

At twenty, he is certain he knows what greatness looks like. He doesn't yet know that the man he is about to follow will spend three years dismantling everything he believes — not by argument, but by example. By the end of Act One, John has watched power kneel.

Then the cost arrives all at once — and John stays. He is the only one who does. Across decades, exile, and the slow, patient work of writing down what he barely has words for, this becomes the story of what it means to have been there — to have seen it, and lived long enough to understand it. On a desert island, he picks up his pen and writes three words.

"John's I's is John's story. But the question it asks belongs to everyone in the room: what can His Love make of you?" One Man · Two Lifetimes · One Truth
JOHN'S I'S poster
The Signature

Nothing Else Like It On A Stage

The Living Pictures

Every scene ends the same way: the company settles into a single held composition — a living picture — and the light leaves the actors while the image lingers a beat longer than the people who made it. Fourteen of them accumulate across the evening until the room has quietly assembled a visual retelling of the Gospel. Nobody explains it. The audience works it out.

The Face Never Shown

In none of the fourteen images does Christ's face appear — turned away, lit only, or absent. Two deliberately fail: the crucifixion withholds its image, and the empty tomb gives a composition with nothing at its center. That restraint is the visual signature of the show.

The Heartbeat

A recurring two-note pulse — short-long, like a cardiac beat — threads through both acts. It first appears at the Last Supper. It stops at the cross. It returns at the empty tomb. Its absence is as powerful as its presence.

JOHN'S I'S emblem — the eye, the lake, the cross
The Score

Fifteen Original Songs

A fully recorded production demo soundtrack.

1His Love of MePrologue — Older John solo5:59
2Sons of ThunderScene One — Full Company4:13
3Come and SeeScene Two — Young John, Company5:55
4Closer StillScene Three — Young John, Full Company5:52
5Call Down FireScene Four — Young John, James5:37
6Up the MountainScene Five — Older John, Young John5:02
7Who Is the Greatest?Scene Six — Full Company, Jesus5:33
8Stay Awake With MeScene Seven — Jesus, Young John, Company5:19
9The Weight of GloryAct Two Opening — Older John, Young John4:04
10Beneath the BeamScene Eight — Young John, Mary5:13
11I Saw and I BelievedScene Nine — Young John, Company4:40
12Fire on the ShorelineScene Ten — Young John, Peter, Company5:15
13What Remains Is LoveScene Eleven — Older John solo4:50
14When All Is RevealedScene Twelve — Older John solo5:59
15His Love of Me (Finale)Epilogue — Full Company4:12
Total 77 min 43 sec  ·  Average 5:11  ·  Estimated running time 2 hrs 35 min
The Vision

The Right Show. The Right City.

16M+
Annual Visitors
1,200+
Metro Churches
$1B+
Christian Music
10,000+
TPAC Subscribers

A Destination, Not a Market

Sixteen million visitors a year arrive in Nashville already open — open wallets, open hearts, and a hunger for an experience they will talk about when they get home. They are looking for something that moves them.

An Audience Already Here

Over 1,200 churches in the Nashville metro area — organized, motivated, group-sales-ready. These are people who already know this story matters and have been waiting their whole lives for a stage worthy of it.

The Infrastructure Exists

TPAC has hosted Hamilton, Wicked, and The Lion King. The Christian music industry is headquartered here. What Nashville has never had is an original musical born from its own faith and music identity.

A Staged Path to the Stage

Incubator Run · In DiscussionFisher Center at Belmont1,727 seats
Commercial Premiere · Q2 2028 · PendingTPAC — James K. Polk Theater1,075 seats
National Tour · PendingMultiple U.S. citiesproven on the road
Nashville Return · PotentialAndrew Jackson Hall2,472 seats
Nashville Return · PotentialNashville Sphere · East Bank~6,000 seats

Fisher Center is in active discussion and TPAC’s Polk Theater is pending — the houses and dates shown are current targets, not yet contracted. The national tour and Nashville returns are projected next steps once the show is proven.

How It Began

Twenty-Five Years in the Making

It began at a Coldplay concert. When the band played "Fix You," Timmer heard in it the whole emotional landscape of John the Apostle — the young man Jesus loved, watching the most important three years in human history unfold in front of him, trying to keep up, trying to understand, not yet knowing what it would cost.

The idea took hold and would not let go. For years it evolved — never quite finished, never quite abandoned — until a renewed sense of purpose arrived with the clarity of instruction rather than inspiration, and Timmer felt compelled to finish what he had started.

A providential conversation on a plane led to a meeting with Gary Chapman. That meeting became a friendship, and that friendship became a partnership — two men who have spent their lives at the intersection of faith, music, and story, committed together to the disciple's retelling of the Savior's story.

The Creators

The People Behind It

Book, Lyrics and Music

Timmer

Creator and author of JOHN'S I'S — the complete two-act book, all fifteen songs, and the lyrics. A vision he first heard twenty-five years ago and carried until it was finished: now fully written, scored, and ready for the stage.

Music & Television · Nashville

Gary Chapman

For over four decades one of the most respected singer-songwriters in Nashville — blurring Christian, pop, country and gospel, with writing credits for Kenny Rogers, Amy Grant, Alabama and Wynonna, and years hosting TNN's "Prime Time Country" and the Ryman's "Sam's Place." What drew him to JOHN'S I'S wasn't the credentials behind it but the vision inside it — and his relationships and introductions across Nashville's music, faith, and venue communities open doors for the production.

7 Dove Awards · 5 Grammy Nominations · 4 #1 Songs · GMA Songwriter of the Year
Soundtrack

Sammy Sam

Original soundtrack mixed and mastered by Sammy Sam — shaping the recorded sound of all fifteen songs into the production demo that carries the show.

Get Involved

The Founders' Circle

JOHN'S I'S is a production investment, not a development bet — a complete two-act script, fifteen fully recorded songs, and a full business and production plan, ready today. We are inviting a small circle of founding partners to bring it to the stage.

Nashville has its show. The only question is who steps up to produce it.

Read. Listen. Meet. Decide.

The full investor binder — script, score, business plan, production plan, and the Founders' Circle structure — is available to review. Producing partners and accredited investors are invited to request the private packet and start a conversation.

This website is for informational purposes only and is not an offer to sell or a solicitation of an offer to buy any security. Any investment in JOHN'S I'S is offered solely to accredited investors through a private Founders' Circle subscription agreement and Private Placement Memorandum (PPM) prepared by qualified counsel, to be reviewed with your own financial and legal advisors before you commit.

Contact

Start the Conversation

Questions · Producing interest · Partnership conversations.
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